Michael Parker gave feedback on Song on the Radio

Great feel! I think the chorus could be set apart from the verse a bit more, maybe through adding some harmonies or another instrument. As Martin mentioned, the You/she thing should be fixed.

Michael Parker gave feedback on She Gets On My Wild Side

Love the convention you’re using. The whole thing flows great.  I don’t know what a “red side” I fully expected a Merle reference… “Ignore the bar flies; gettin’ on my fightin’ side” or “Jukebox was playin’ Merle; love me some Fightin’ Side” Only other thought is that “... Read More

Michael Parker gave feedback on A Guy Like Me

I like this… nice performance and recording.  It’s very strange to hear this message presented in this manner though and that might put some folks off.  I think it’s refreshing.  Good luck with it!

Michael Parker gave feedback on Like Juliet

Hey Linne, I don’t mind death in the song either (guessing you remember that about me)... it’s on theme.  Did you have a replacement in mind though?  There’s potential to sneak in something with “forget,” which is a stronger rhyme with Juliet.  spitballing and... Read More

Michael Parker gave feedback on You put the L into Love

Richard,  I like the groove.  I’m left wondering what the hook means. Usually when I see this convention there’s a double meaning.  You put the O into love, for instance, could be referencing making love.  Something like you put the full int Wonderful is... Read More