This is not the type of thing that you would want to hold the world record for, but this guy handles it very well. This is one of those songs that you write just for the hell of it.

Sometimes the cowboy in us comes out in our songwriting, and this is one of those songs. This is a song about reflecting back on past choices, and the ensuing regret that sometimes follows.

This is a demo that Linda Davis was gracious enough to record the vocals on for me. This was one of the last songs that we recorded at Bayou Studio with George Clinton before his health deteriorated, and the studio closed a short time later. It was a magical session!

The session for tracking this demo was fun. It has been awhile since I've used Joe Spivey on fiddle and Mike Johnson on steel. You don't find any better than those two! I had forgotten how much fun it is, and how much I love traditional country. This song was written in the hopes of pitching to artists such as Midland, Joe Nichols, Blake Shelton, etc.

Mid tempo song written in the styling of Merle Haggard, but with a retro Chris Stapleton feel. The picture is of my brother and I with our mother on the farm in Louisiana. Great memories!

My wife has told me for years that I have no patience, so I figured I might as well write a song about it.

The life of a song can be fascinating! First we put in the work of writing, rewriting, rewriting a second time, and sometimes rewriting a third time before producing the all important demo. Then once the demo is complete we send it out into the world and we wait, and we wait, and we wait!

This is a true story about a humble man who lived his life exemplifying "You can always find someone that's got it worse, help 'em if you can."

Bluesy alternative country sound similar to Chris Stapleton or Midland, with a chorus reminiscent of the Eagles.